Punks of the Witwatersrand
The Rise and Fall of National Wake, South Africa’s first multiracial punk band at the height of apartheid, that sang about state violence and political freedoms.
Music
Sampa The Great’s new chapter
Zambian artist, Sampa the Great, returns to the stage in Australia with "An Afro Future." In an interview, she talks reconnecting with her roots and redefining the future.
Beja music cannot be beaten by any regime
The Dorpa Band from Port Sudan, a city on the Red Sea coast in eastern Sudan, embodies Beja Culture. Their bandleader, writes what drives their music.
The psychological pains of Ethiopian intellectuals
The desire to be absorbed into and consumed by the West, to find solace in its seductive promises, animates Robin Dimet’s film, “Sami’s Odysseys.”
Take it to the house
On this month's AIAC Radio, Boima celebrates all things basketball, looking at its historical relationships with music and race, then focusing on Africa's biggest names in the sport.
El maestro siempre
Maky Madiba Sylla is a militant filmmaker excavating iconic Africans whose legacies he believes need to be known widely—like the singer Laba Sosseh.
The missing pieces
Between melancholy, terror, and disillusion, Petit Pays is a groundbreaking and eye-opening take on one of the darkest pages of African history, one that is often misunderstood in the West.
Hope and optimism howled at full volume
A people’s history of Zimbabwe’s first mbira punk band, Chikwata 263, who wanted a soundtrack for the country’s post-post colonial blues.
An independence revue
This month on Africa Is a Country Radio, taking inspiration from the work of Chinua Achebe, we take a listen to the music of the post-independence era on the African continent.
This is appropriation that’s acceptable
The French Ethio-groove group Akalé Wubé has dissolved. For over a decade they have shown how cultural outsiders can considerately engage in music that is not theirs.
Copyright is colonialism
On AIAC Radio, DJ Ripley aka Professor Larisa Mann, talks about her new book "Rude Citizenship" on copyright and the colonial legacy in Jamaica.
Tram 83, a soundtrack
Fiston Mwanza Mujila's debut novel is painted by the music of a nightclub in a fictional central African city-state. On this month's AIAC Radio we imagined what it might sound like.
Hard times never kill
Gonora Sounds’ music gets at what it means to be a Zimbabwean: We might be crying, but we are also dancing.
A black sound
On AIAC Radio, Folarin Ajibade (@folarinistired) was inspired enough by Xavier Livermon's book "Kwaito Bodies" to make a mix.
Resonant music
The film "Africa Mia” (2019), directed by Richard Minier and Edouard Salier, explores the musical connections between Cuba and Mali.
A new star in the southern sky
The impressive debut album of the Malcolm Jiyane Tree-O marks the arrival of a unique genius in post post-apartheid South African jazz.
Music makes the past alive
Africa Is a Country Radio is back with a new season. Each show will be inspired by the work of a different African author. First up, we explore the Ethiopian Tizita with Mukoma Wa Ngugi.
Musically, Congo is the mothership
The documentary, Rumba Kings, offers a commendable and tireless argument for both an intangible cultural heritage case and a centering of the Congolese way.
Late nights in Lisboa
In our final episode of "Clubbing on the Continent," Africa Is a Country Radio heads to Lisbon, Portugal.
Performing Angolaness
In contemporary Angola, the gap between the public discourse on culture and the on-the-ground reality of the arts and culture sector is deepening.