
Decolonizing the museum
How should Belgium's Africa Museum address its colonial past?

How should Belgium's Africa Museum address its colonial past?

Dedicated to the memory of the writer’s friend: the rebel and genius, Binyavanga Wainaina.

Binyavanga Wainaina was a writer who not only produced seminal work, but also contributed to and shaped the African literary tradition into what it is today.

The charge that Mohandas Gandhi was a racist is doing the rounds again. His stay in colonial South Africa fuels those claims.

Are postapartheid norms against open homophobia in party politics eroding in South Africa?

The film 'The Sound of Masks' explores dance, memory and the meaning of life, ancestry, culture and political struggle in postcolonial Mozambique.

A response to Panashe Chigumadzi’s essay, “Why I’m No Longer Talking To Nigerians About Race."

Director Dare Olaitan’s Knock Out Blessing (2018), is nothing less than a meditation on rape culture.

When Ugandan police imprisoned Bobi Wine in his own home, the singer-turned-lawmaker used the internet, music and multiple languages to craft a call for solidarity between civilians and security forces.

Ellen DeGeneres wanted an African story. Achieng Agutu obliged. Don’t hate the player, though, hate the game.

Racist, anti-black stereotypes persist in Arabic literature. It reveals a racial anxiety and othering of Africa among celebrated Arab authors.

The physical and psychic ruins of colonial mining practice in a small town in Liberia.

On the eve of Baaba Maal's first New York City concert in 8 years, Oumar Ba interviews him, asking about protest movements, the music business and Senegal.

An overview of some of the problems and opportunities that the reopening of Belgium's infamous AfricaMuseum brings.

While Nigeria's class divide is not between rich whites and poor blacks, it still has a lot in common with postapartheid South Africa.

A good time to bring back this piece—first written in 2002—on the power of song to fuel political struggle.

Poor reading scores among South African children highlights the need for decolonization in book publishing, teaching and policy implementation.

Media coverage of rhino poaching in Southern Africa not only fails to address white control over conservation, but also reinforces it.

The erratic electricity supply in Nigeria is a metaphor for life there.

There is a long history of white artists representing black people in France, reproducing stereotypes and failing to capture the people they claim to represent.