
The earth below the surface
The film, 'We are Zama Zama,' about illegal miners in South Africa, is a social commentary on the failures of post-colonial liberal democracies in Southern Africa.

The film, 'We are Zama Zama,' about illegal miners in South Africa, is a social commentary on the failures of post-colonial liberal democracies in Southern Africa.

The impressive debut album of the Malcolm Jiyane Tree-O marks the arrival of a unique genius in post post-apartheid South African jazz.

Africa Is a Country Radio is back with a new season. Each show will be inspired by the work of a different African author. First up, we explore the Ethiopian Tizita with Mukoma Wa Ngugi.

How the film, 'I am Samuel' about a gay Kenyan couple was banned by the Kenya Film Classification Board.

This week on AIAC Talk: 2021 has been declared a great year for African literature, but what does that actually mean?

In the last video for our Nairobi edition of Capitalism in My City, we meet the Organic Intellectuals Network.

La longue histoire du classisme et de l'homophobie dans les espaces publics et médiatiques au Cameroun.

The long history of classism and homophobia in public and media spaces in Cameroon.

The mass atrocities of the 1899 French invasion of what is Niger today are finally being treated with the gravity and consequence they deserve in Western popular histories.

Street names are political weapons. They produce memories, attachment and intimacy—all while often sneakily distorting history.

In November 2017, Robert Mugabe was toppled in a coup. Amid this epochal change, life—and cricket—simply went on for Zimbabweans, who are still in search of a better future.

The documentary, Rumba Kings, offers a commendable and tireless argument for both an intangible cultural heritage case and a centering of the Congolese way.

Colonialism should take a lot of blame for anti-queer attitudes in Africa. But missing is a frank engagement with how African indigenous cultures also fuel anti-queer attitudes.

The writer, from Cape Town, reflects on the life of her working class father, who like her friends' fathers worked tough jobs for low pay and hid his vulnerabilities.

In Mexican-Ethiopian filmmaker Jessica Beshir’s Faya Dayi, khat is more than an important export product in a capitalist economy; she captures khat’s roles and meanings in everyday Harari life.

The Jamaican born filmmaker, Lebert Bethune, who was close to Malcolm X, made two films that deftly explored Black identity at the end of the 1960s.

In our final episode of "Clubbing on the Continent," Africa Is a Country Radio heads to Lisbon, Portugal.

The New Apartheid, a new book by Sizwe Mpofu-Walsh, seeks to define a generational mission in South Africa. Instead, it shrouds our existing one in complete opacity.

In contemporary Angola, the gap between the public discourse on culture and the on-the-ground reality of the arts and culture sector is deepening.

The radical politics of the professional middle classes—too often found full of rhetoric, but short on action—are explored in Leo Zeilig’s new novel, The World Turned Upside Down.