Boss Player

The Newscaster Komla Dumor loved sports, basketball (he had skills), and, above all, the beautiful game. He especially loved his Ghana's Black Stars.

Ghana v England in a friendly match at Wembley Stadium in London, 2011. Image credit Akira Suemori for FIA Foundation via Flickr (CC).

The BBC news presenter Komla Dumor, who passed away this weekend from cardiac arrest, was an exceptional broadcaster; read Nigerian writer Chimamanda Adichie’s obit here. Everyone loved him. He was probably the most stylish newscaster, and he was well on his way to becoming the first globally recognized superstar news presenter originating from the continent. Dumor took journalism seriously. Just watch his last big interview where he took on Rwanda’s Ambassador to the UK about that country’s habit of murdering opposition figures.

Dumor, known as the Boss Player, also loved sports, especially basketball (he had skills), and, above all, the beautiful game. He especially loved his Ghana Black Stars.

For example, during the 2010 World Cup in South Africa, he ripped his shirt open in Superman style to reveal his true identity.

Or last November, when he celebrated Ghana’s qualification for Brazil 2014 by donning a lekarapa. And he seemed genuinely happy—like a fan—around footballers, like when he met Victor Moses (Liverpool and Nigeria) or thanked Sulley Muntari (AC Milan and Ghana) for gifting a signed shirt for his (Komla’s) son.

But it’s this videoin which Peter Okwoche, the BBC Focus on Africa sports presenter, challenges Komla to a game of keepie-uppie—that’s my favorite memory of the Boss Player.

 

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.