Right in front of your eyes

Claudio Silva emailed fellow Angolan, photographer Rui Sérgio Afonso, to tell us about his favorite images.

All images by Rui Sérgio Afonso.

Saying that these are my five favorite photographs would be an injustice to all the others I have taken. Perhaps these five all have different reasons to be included here, like the one above with the children and their improvised sailboats that remind me of the imports that my country is subject to, and that I call “import-export Lebanon China,” the two groups of foreigners that are most common in Angola. The former with their warehouses that supply us with our basic needs such as beans and fuba (ground manioc), and the latter, the new foreigners, that I believe are here to stay, our new colonizers from the Far East.

From the echo the stone makes as it strikes the mabanga (a type of shellfish) that sustains the fishermen of this metropolis that grows right in front of your eyes …to the relative calm of the fisherman’s boat ready for another day at sea.

From the remnants of humanitarian aid that we are subject to every year, so apparent on the improvised boats of Tômbua village in Namibe…

…to the joy of our children as the rains arrive.

They’re all moments that carry me to my childhood where everything was more fun, more honest, realer — that time where they taught us that socialism was the path to follow for the good of our people, the people that I love so much.

Further Reading

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A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.