Right in front of your eyes

Claudio Silva emailed fellow Angolan, photographer Rui Sérgio Afonso, to tell us about his favorite images.

All images by Rui Sérgio Afonso.

Saying that these are my five favorite photographs would be an injustice to all the others I have taken. Perhaps these five all have different reasons to be included here, like the one above with the children and their improvised sailboats that remind me of the imports that my country is subject to, and that I call “import-export Lebanon China,” the two groups of foreigners that are most common in Angola. The former with their warehouses that supply us with our basic needs such as beans and fuba (ground manioc), and the latter, the new foreigners, that I believe are here to stay, our new colonizers from the Far East.

From the echo the stone makes as it strikes the mabanga (a type of shellfish) that sustains the fishermen of this metropolis that grows right in front of your eyes …to the relative calm of the fisherman’s boat ready for another day at sea.

From the remnants of humanitarian aid that we are subject to every year, so apparent on the improvised boats of Tômbua village in Namibe…

…to the joy of our children as the rains arrive.

They’re all moments that carry me to my childhood where everything was more fun, more honest, realer — that time where they taught us that socialism was the path to follow for the good of our people, the people that I love so much.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.