Right in front of your eyes

Claudio Silva emailed fellow Angolan, photographer Rui Sérgio Afonso, to tell us about his favorite images.

All images by Rui Sérgio Afonso.

Saying that these are my five favorite photographs would be an injustice to all the others I have taken. Perhaps these five all have different reasons to be included here, like the one above with the children and their improvised sailboats that remind me of the imports that my country is subject to, and that I call “import-export Lebanon China,” the two groups of foreigners that are most common in Angola. The former with their warehouses that supply us with our basic needs such as beans and fuba (ground manioc), and the latter, the new foreigners, that I believe are here to stay, our new colonizers from the Far East.

From the echo the stone makes as it strikes the mabanga (a type of shellfish) that sustains the fishermen of this metropolis that grows right in front of your eyes …to the relative calm of the fisherman’s boat ready for another day at sea.

From the remnants of humanitarian aid that we are subject to every year, so apparent on the improvised boats of Tômbua village in Namibe…

…to the joy of our children as the rains arrive.

They’re all moments that carry me to my childhood where everything was more fun, more honest, realer — that time where they taught us that socialism was the path to follow for the good of our people, the people that I love so much.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.