The Next James Bond

The Bond franchise has a white casting problem, but at least it has made peace with Britain and its institutions' marginal position within world affairs.

Idris Elba being directed on the set of "Pacific Rim" (Chehui Liao / Flickr CC).

If you believe the rumors, sex appeal’s Idris Elba — half Sierra Leonean, half Ghanaian, fully a Londonerwill be the next James Bond, although Daniel Craig may clench and mumble his way through a couple more before that happens. If it does, Elba would be taking over at a very interesting moment for the Bond franchise, apparently now entering full-on postcolonial melancholia mode.

The new James Bond movie, “Skyfall,” is a vision of what American thrillers will look like in a few years time should this country ever get through its current phase of chest-beating denial regarding its inevitable decline as top global dog. (Remember how irritated NPR were by how little anyone in China cared about America’s tremendously exciting presidential election? Apparently the Chinese ought to have been reminded that they are governed by an unaccountable elite, so very unlike the American situation.)

Nobody’s pretending that the UK is a great power anymore, politically or morally. Even the supposedly nationalist Conservative government that’s currently busy ruining our public institutions doesn’t present the country on the international stage as much more than a bunch of BAE Systems sales representatives in nice suits. Skyfallis all about the vulnerability of the old bulldog heroes to nasty newfangled foreign contraptions like homosexuality (one man caressing another man’s leg is the new waterboarding), China (with their massive neon cities and man-eating komodo dragons), and the internet (Javier Bardem as Julian Assange, anyone?). I won’t spoil the film, but suffice to say that its main interest is in exploring how Britain and its institutions respond to the dawning realization of the marginal position within world affairs that the country has already occupied for more years than anyone will admit. (Clue: they dig out the muskets and a stick of dynamite.)

The next step might be to send Bond to Luanda or Lagos or Maputo or Rio, not just as backdrops for high casualty car chases, but to show how the rest of the world has moved on and largely forgotten about how important Britain likes to feel. Maybe by the time Idris Elba takes over, Bond will be working for the UK’s DFID.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.