10 films to watch out for, N°10

Here’s another random selection of ten films to watch (some of them already doing the rounds, others still in production). In no particular order: Lomi Shita (Abraham Gezahagne’s “The Scent of Lemon”), is “set in 1972, in a season of hot political turmoil that started the downfall of the [Ethiopian] Emperor and the mass executions of top officials.” Cast: Elisabeth Melaku, Moges Chekol and Solomon Tesfaye. Ethiotube has the trailer. ‘Lomi Shita’ is screening at the Ethiopian Colours of the Nile film festival this week (Addis Ababa, November 7 – 11). Also showing at the Addis festival is Hisab, a short animation film by Ezra Wube. ‘Hisab’ is a humorous take on the hustle and bustle of Addis Ababa, and has the best opening lines. For those of us not in Ethiopia, the film’s available on YouTube:

http://www.youtube.com/watch?v=2ZgS0Zga5zI

Mkhobbi fi Kobba (Fr. “Soubresauts”; Eng. [ballet term] “Sudden Leaps”) is a short film by Leyla Bouzid (who is the daughter of director Nouri Bouzid), exploring a mother-daughter relationship in a Tunisian “petit bourgeois” milieu. The film’s sound score was composed by oud player Anouar Brahem. A fragment (while waiting for an official trailer):

Le Sac de Farine (“The Bag of Flour”), is a film by Kadija Leclere about a young Moroccan girl kidnapped from a Belgian orphanage — where she was placed by her father — and forcibly returned to Morocco — by her father:

Some outtakes from Music and War Stories, a film the SoundThread team made with South Sudanese musicians in the wake of the country’s independence:

The trailer for Sea Pavillion, a short by Marysia Makowska and Todd Somodevilla, recorded in Macassar (a former South African “coloured beach” which sits in between Khayelitsha and Somerset West), featuring South African actors Stefan de Clerk and Colleen van Rensburg. We’ll have to watch it to understand the South Africa connection:

Trailer/teaser for For Those Whose God is Dead, a film directed by Jeremiah L. Mosese (born in Leribe, Lesotho):

And three films that have no trailers yet:

Laan (“Leaf”) is a short film by actress Lula Ali Ismaïl (Djibouti/Canada), also her directing debut, tackling khat abuse in Djibouti. Here’s an interview with the director (in French) about her recording of the film in Djibouti and the obstacles she had to overcome while there — financial troubles, mostly.


Kenyan Hawa Essuman’s film project Djin, chronicling the clash between a coastal village’s old mythologies and new developments, received a €25,000 prize for the film’s production at the African Film Festival of Cordoba in Spain recently. Details on the film’s website.


And Le Rite, la Folle et Moi (“The ritual, the crazy woman, and I”) is Togolese Gentille Assih Menguizani’s second film about Togolese rituals. Her first film, Itchombi, spoke about male initiation. In her new film she documents ‘Akpéma’ — a ritual ceremony in the Kabyé region during which elderly women teach young girls how to become “dignified and mature” women.

(This week’s list of 10 included, we’ve arrived at 100 new films to watch. Recap: 1-10, 11-20, 21-30, 31-40, 41-50, 51-60, 61-70, 71-80, 81-90, 91-100. More next week.)

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.