10 films to watch out for, N°10

Here’s another random selection of ten films to watch (some of them already doing the rounds, others still in production). In no particular order: Lomi Shita (Abraham Gezahagne’s “The Scent of Lemon”), is “set in 1972, in a season of hot political turmoil that started the downfall of the [Ethiopian] Emperor and the mass executions of top officials.” Cast: Elisabeth Melaku, Moges Chekol and Solomon Tesfaye. Ethiotube has the trailer. ‘Lomi Shita’ is screening at the Ethiopian Colours of the Nile film festival this week (Addis Ababa, November 7 – 11). Also showing at the Addis festival is Hisab, a short animation film by Ezra Wube. ‘Hisab’ is a humorous take on the hustle and bustle of Addis Ababa, and has the best opening lines. For those of us not in Ethiopia, the film’s available on YouTube:

http://www.youtube.com/watch?v=2ZgS0Zga5zI

Mkhobbi fi Kobba (Fr. “Soubresauts”; Eng. [ballet term] “Sudden Leaps”) is a short film by Leyla Bouzid (who is the daughter of director Nouri Bouzid), exploring a mother-daughter relationship in a Tunisian “petit bourgeois” milieu. The film’s sound score was composed by oud player Anouar Brahem. A fragment (while waiting for an official trailer):

Le Sac de Farine (“The Bag of Flour”), is a film by Kadija Leclere about a young Moroccan girl kidnapped from a Belgian orphanage — where she was placed by her father — and forcibly returned to Morocco — by her father:

Some outtakes from Music and War Stories, a film the SoundThread team made with South Sudanese musicians in the wake of the country’s independence:

The trailer for Sea Pavillion, a short by Marysia Makowska and Todd Somodevilla, recorded in Macassar (a former South African “coloured beach” which sits in between Khayelitsha and Somerset West), featuring South African actors Stefan de Clerk and Colleen van Rensburg. We’ll have to watch it to understand the South Africa connection:

Trailer/teaser for For Those Whose God is Dead, a film directed by Jeremiah L. Mosese (born in Leribe, Lesotho):

And three films that have no trailers yet:

Laan (“Leaf”) is a short film by actress Lula Ali Ismaïl (Djibouti/Canada), also her directing debut, tackling khat abuse in Djibouti. Here’s an interview with the director (in French) about her recording of the film in Djibouti and the obstacles she had to overcome while there — financial troubles, mostly.


Kenyan Hawa Essuman’s film project Djin, chronicling the clash between a coastal village’s old mythologies and new developments, received a €25,000 prize for the film’s production at the African Film Festival of Cordoba in Spain recently. Details on the film’s website.


And Le Rite, la Folle et Moi (“The ritual, the crazy woman, and I”) is Togolese Gentille Assih Menguizani’s second film about Togolese rituals. Her first film, Itchombi, spoke about male initiation. In her new film she documents ‘Akpéma’ — a ritual ceremony in the Kabyé region during which elderly women teach young girls how to become “dignified and mature” women.

(This week’s list of 10 included, we’ve arrived at 100 new films to watch. Recap: 1-10, 11-20, 21-30, 31-40, 41-50, 51-60, 61-70, 71-80, 81-90, 91-100. More next week.)

Further Reading

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.