Africa Is a Country

Acoustic Guitar Break

Africa Is a Country Podcast
African Five-a-Side Podcast

Acoustic Guitar Break

By
Sean Jacobs

We thought it would be nice to compile a Bonus Music Break centered on acoustic guitar music. First up is Toronto-based Ghanaian Kae Sun with “Lion on a Leash”:

Another Ghanaian: Kesse (made his breakthrough on Ghana’s version of American Idol) was profiled by The Fader last year:

Then there’s German-Nigerian Ayo:

And video of a 23 minute live set by Asa, France-based Nigerian (credits: “Fire on the Mountain,” “Mr Jailer,”), recorded in San Francisco:

http://www.youtube.com/watch?v=II668alI00g

Bez, the young Nigerian (remember him?) will be in New York City next week (Society HAE has the details)

You can’t say acoustic guitar music and not include Michael Kiwanuka, Ugandan-born British crooner. He is a big part of our regular Twitter #musicbreaks.

Stateside, there’s Cody ChesnuT. (BTW, while below he slows things down, I’ve seen him crank it up with The Legendary Roots Crew):

http://www.youtube.com/watch?v=PTuj3jYehtE

And Gary Clarke Jnr with a stripped down version of my favorite tunes (remember him?)

Further Reading

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.