Think tanks love to paint maps, often accompanied by short descriptions of the different crises a country is facing — short, broad strokes for clarity’s sake. Except, of course, that these different shades of blue obscure realities that, in typical jargon, are defined as ‘non-violent’ crises. The map above shows where in Sub-Saharan Africa violent conflicts happened in 2011. Thus, for example, the xenophobic attacks against foreigners in South Africa will appear on the map but the country’s crisis of deep-rooted poverty will not.

What caught my eye on this map though was the little blue dot west of the DRC: it made me read up on Cabinda, the Angolan enclave, which seems to have dropped off the international press’s radar again since the deadly ambush on the Togolese football team there in 2010. Searching the websites of the BBC, the NYT and The Guardian all returned the same result: each had one article in January 2011 asking whether Sudan’s split would herald a balkanization of Africa and bring independence to Somaliland, Western Sahara and…Cabinda. (Nothing on CNN or Al Jazeera nor in El País, Die Zeit, Jeune Afrique or Le Monde.) Which is surprising, considering the Heidelberg Institute for International Conflict Research report:

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.