Music Break. Bonus Friday Edition

5 for le weekend.

“Propaganda” one of a series of songs/videos made by The King’s Will –one half of the UK duo is Musa Okwonga, whose family migrated from Uganda. The song is a homage to PR and advertising pioneer Edward Bernays:

M.E.D.’s “Blaxican.” L.A. identity politics:

A scene from “Coz Ov Moni,” “the world’s first pidgen musical” by Ghanaian duo Fokn Bois. They’ve been posting clips from the film on Youtube. This is the most recent one in the last few days:

http://www.youtube.com/watch?v=7ETwfWFX9JU

Clips one and two here and here.

A parody of rapper Drake’s “Up All Night” by Toronto-based Nigerian Femi Lawson:

http://www.youtube.com/watch?v=H9p7UWx5NH0

Sweden and Senegal collaborate. Sousou and Maher Sissoko:

Video for “Rain On My Lips” by rapper Pepe Haze (Burundian) and singer Steph McKee (Kenyan). They’re based in Nairobi, Kenya. The video is described as “the first ever African music video that is entirely in stop motion animation.”

See you Monday.

H/T: Kweligee and Welfare State of Mind.

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.