This is brilliant. The BBC, working with the Royal Geographical Society, has posted an audio slideshow showing how the continent’s been depicted on maps from the 14th century onward. A few highlights: we get one theory how the continent got its name from a tribe of Berber who lived in what is now the Sudan, early Jewish presence in North Africa; and that the South Atlantic was known as the Aethopian Sea. We also notice the rich and detailed maps of Africa in the 17th century–drawn with the aid of Africans–as opposed to the deliberately more sparse, color-coded maps of the late 19th and early 20th century that facilitated colonialism. The maps will be exhibited at “Rediscovering African Geographies” at the Royal Geographical Society in London between 22 March – 28 April 2011.

See the audio slideshow on the BBC website.

H/T: Suren Pillay.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.