
From Lisbon to Lagos
It's the end of the year, so Hipsters Dont Dance made a "Top World Carnival Collabs" of 2015.
It's the end of the year, so Hipsters Dont Dance made a "Top World Carnival Collabs" of 2015.
Frantz Fanon remains vital not only for his bracing anti-racism and anti-colonialism, but equally for the less-recognized, empathetic politics of solidarity he cultivated and exemplified.
A small corrective to the tide of Big Media book lists that champion a small and predictable group of authors who together give at best a limited Eurocentric view of our world.
To wrap things up for 2015, next week Africa is a Country will have a few best
For rapper, Art Melody, hip hop is a philosophy, one that can’t be sold out for fame, money, or even politics.
The first Zambian woman to be a Rhodes Scholar, lawyer Lucy Sichone returned home to represent people whose rights were trampled on.
I’ve never been to the Northeast of Brazil, but I have paid R$5 to walk through
Today sees the relaunch of the famed Review of African Political Economy, this time on the
On this day two years ago, Nelson Mandela passed. Madiba and his legacy has been covered widely
Lesotho writers and creators' growing awareness that they are part of a global society and just trying to claim their place as agents in this world that they live in.
Visualizing the 1760-1761 Slave Revolt in Jamaica, the greatest slave insurrection in the eighteenth century British Empire.
An interview with Cape Town-based anarchist hip hop collective, Soundz of the South (or SOS).
Revisiting the Ugandan political scientist Mahmood Mamdani’s seminal book, "Citizen and Subject: Contemporary Africa and the Legacy of Late Colonialism."
Twenty-one years ago, “Angolan Sculpture, memorial of cultures,” curated by Marie Louise Bastin in the Lisbon
To make sense of Bill Cosby’s fall from grace requires distinguishing questions of legacy from questions of individual reputation.
'Beauté Congo' wonderfully represents Congolese contemporary art, yet fails to completely evade European colonial baggage.
This is the first edition of a new weekly series of posts/listicles we’ll be doing to
How can international advocacy movements be self-reflective and accountable to the people on whose behalf they speak?
A Congolese writer whose work oscillates between gripping dystopia and humanist celebration.
A smallish woman from Mauritania, she rules the stage with a fiery intensity that only the most powerful divas can maintain.