Africa Is a Country

We watch movies (and trailers) for you

Africa Is a Country Podcast
African Five-a-Side Podcast

We watch movies (and trailers) for you

By
Dylan Valley

Still from "Out of my hand"

This is the first edition of a new weekly series of posts/listicles we’ll be doing to keep you up to speed with the world of African cinema/TV/online video content. We’ll be sharing news, trailers and complete short films. Welcome to our movie night.

1. Remember director Ava DuVarney’s distribution and exhibition network ARFFM? It’s now an “independent film distribution and resource collective” called ARRAY. It opened its first two films they’re opening last Friday: Sarah Blecher’s “Ayanda” set in Johannesburg and Takeshi Fukunaga’s Liberian immigrant tale “Out of My Hand.”

Here’s a teaser for “Out of My Hand”:

BTW, read an interview with Fukunaga about making “Out of my hand” from our archives.

 

2. The British Film Institute interviewed Rwandan filmmaker Kivu Ruhorahoza (he is talented for real) on his new film “Things of the Aimless Wanderer.”

 

3. The trailer for the new film, “Am I Too African to be American or Too American to be African?” (It seems to be from the same genre as “The Neo-African Americans“):

 

4. More trailers: Watch the trailer for “Sembene!” the new documentary about Ousmane Sembene, the “Father of African Cinema”

 

5. Check out this dystopian Kenyan short Monsoons Over The Moon over two parts (HT @ShadowandAct):

 

6. South African performance art duo FAKA have released a new video which they call a “Gqom-Gospel Lamentation for Dick.” (The video was in part inspired by South African pop icon Brenda Fassie’s rendition of the song “From a Distance,” which in itself is worth a rewatch.)

 

7.. Watch Miel a new short film inspired by black migrant experiences by Belgian/Congolese brother and sister team Malkia and Nganji Mutiri.

 

8. “Africa” now has its first superhero TV show (can this first be confirmed?). It’s is a South African production. Here’s a trailer.

 

9. Finally, “The World’s First American Nollywood film” (this must be the week of firsts?), “Pastor Paul,” recently premiered in Ghana. Here’s a teaser:

 

 

Further Reading

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.