Weekend Music Break No.90

A traditional Parang group from Trinidad

To wrap things up for 2015, next week Africa is a Country will have a few best of lists and long form posts for you to ponder into the New Year (as we take our annual December break). But for now let’s have a briefer interlude with our weekly music break, the last one for this year.

Our selection of tunes this week is honestly a bit of a (holiday work party?) grab bag, but at Africa is a Country we only deal in quality. You won’t be disappointed.

Kicking things off we have Badi and Youssoupha’s ode to the Congo of many names, peoples, and political geographies, so appropriately they just use the telephone country code 243 to signify exactly where and what they mean; To follow up we have the grandmaster of Ndombolo style of the rumba-soukous-decale axis, Kofi Olomide, who proves he can be relevant in the social media age with “Selfie”; Mr. Jayvic brings us uptempo dance vibes from Ghana; and then, Yungsal brings us nice Ghana-inspired downtempo vibes from Sierra Leone; Philadelphia, USA’s Doelife turns up for their squad with “Moment”; and then as promised in a previous music break, we said when the clip arrives we’d once again share Scotland’s Young Fathers’ “Old Rock N Roll”, live from Malawi; Boyzn Bucks members Cassper Nyovest and Riky Rick turn in a dark Cape Town tale with “Le Mpitse”; Afro Lisboa’s Black Sea Não Maya crew releases one of the few videos coming out of that scene, hopefully many more to come; And finally, we take a holiday pan-African turn to the Caribbean with some Trinidadian-Venezuelan Parang-Soca and Puerto Rican Parranda-Salsa vibes. Happy holidays, and see you at the next music break in 2016!

Further Reading

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.