Swallowed by the archive
53 years after it was first made in 1968, the Ghanaian filmmaker King Ampaw’s short film ‘Black Is Black’ celebrates its inconspicuous premiere.
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Karen Chalamilla is a culture writer and researcher based in Dar es Salaam.
53 years after it was first made in 1968, the Ghanaian filmmaker King Ampaw’s short film ‘Black Is Black’ celebrates its inconspicuous premiere.
Gurnah’s Nobel Prize invites us to ponder Germany’s colonial past between the Scramble for Africa and the First World War in what is now Tanzania, Burundi, and Rwanda.
On this week’s AIAC Talk: China’s engagement with Africa is much debated. What exactly does it want on the continent?
Islamic scholarship in Africa and the meaning and end of decolonization in the work of religious studies scholar, Ousmane Kane.
The return of Patrice Lumumba’s remains must not be an occasion for Belgium to congratulate itself, but for a full accounting of the colonial violence that led to the assassination and coverup.
If you hadn’t noticed, we were on our annual break from just before Christmas 2021 until now. We are back, including with some inspiration.
On this episode of AIAC Talk, Will Shoki and Sean Jacobs discuss the history and politics of the African Cup of Nations football tournament.
In South Africa, the old endures and the new is nowhere to be seen. What is to be done? Public intellectual Steven Friedman helps us make sense.
A new and different state is necessary to manage the complex problems in the region, but is it possible under the current regime that has fed the conflict?
Two books, by art historian Bénédicte Savoy and journalist Barnaby Phillips respectively, detail how we got to this point in the restitution of African heritage.
Oupa Lehulere, revolutionary teacher and mentor, died on November 29. His approach to theoretical study and struggle was the same: there are no shortcuts.
The death of two protesters last month in Niger, could bring pressure for a meaningful Truth and Reconciliation for French colonialism in Africa.
Don’t get to excited by the local election results in South Africa. The party system is fragmenting, but old apartheid divides persist.
The grievances of this generation in Kenya are disturbingly similar to those of the generation of the 1940s who took up arms in the Mau Mau movement. For both, it is about land and freedom.
The film, ‘We are Zama Zama,’ about illegal miners in South Africa, is a social commentary on the failures of post-colonial liberal democracies in Southern Africa.
The multifaceted effects of gender-based violence on girls in Malawi.