Growing up in 1980s Congo-Brazzaville there wasn’t a lot of technology going around. Computer games, cellphones and tablets were alien concepts and we spent our days in the streets playing, when we weren’t at school or doing homework. The streets of Pointe Noire were safe; we turned them into soccer fields, racing tracks, a place to test drive our (handmade) cars with friends. It was a lot of fun; we went from being soccer players one day to car or house builders the next. All in the mud and sand. Life was good.

Today is different.

All the cars we built as children are now being bought already made of plastic. Running around with friends all day is replaced by sitting in front of the television to watch cartoons. The soccer games are now played sitting on the couch in front of the computer or a console.

feet-n-cars-4I now live in South Africa, but go home every winter season to visit my mother, eat Congolese food, and meet childhood friends. I bring my camera along. This year was very special to me. Children who live in the vicinity of my mom’s house in a neighborhood called Fond Tie Tie, gave me a gift: They had designed and made their own cars  complete with sound system, red lights or flowers. I was back in my childhood. I was eight years old again.

The children are poor and the cars are usually made of recycled materials such as food cans, old sandals, metals and wood. I was quickly introduced to the community of young car designers. As they got to know me, they showed me the new designs they had created. The “feet & cars” project was born. Amazed by the creativity, designs and joy of life the children exhibited, I started photographing just their feet and the cars.

The world has become a new playground, not quite the same as when I was growing up, however these children really reignited my hope for this new generation as one seldom sees such enthusiasm, joy and creativity in kids these days like I saw this year in Congo. They still live in a world where technology hasn’t robbed them of their creativity and joy in playing.

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Further Reading

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.