Weekend Music Break No.69

Still from Red Red's "Ghetto" Video

A general round-up of tunes that caught our ear this week at Africa is a Country, in no particular order.

Martinique-born Jazz composer and pianist, Chassol returns home to film a Carnival-inspired video for his song “Reich & Darwin,” off of his album Big Sun.

Here’s one for the DJs: UK-based Hagan is back with another EP for Italian-Liberian duo Pepesoup’s label Soupu Music. This one I’m pretty sure samples one of those Angolan Kuduro can players.

Liberia’s David Mell moved from Monrovia to Minnesota in the past year, but that didn’t stop him from producing Afropop heat!

South Africa’s Kid X has been turning heads in Africa is a Country circles.

Ghanian “AfricanEDM” duo Red Red release a video with Sarkodie and some great dancers in what looks like Jamestown.

Percy gives “Bonnie and Clyde” a Nigerian update.

The Very Best released their new album Makes a King last week. They have two videos already out from songs on the album. Here is one.

Nigerian rapper Kelvin King filmed a video (called “Freestyle”) in Johannesburg. It’s seems Pan-Africanism is contagious.

Stromae is endlessly pursued by a blue bird.

Last but not least, one big HAPPY BIRTHDAY to Africa is a Country founder, Sean Jacobs!

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.