Africa Is a Country

We’ve Resurrected Weekend Music Break. Here’s No.68

Africa Is a Country Podcast
African Five-a-Side Podcast

We’ve Resurrected Weekend Music Break. Here’s No.68

By
Boima Tucker

Ghanian singer Jojo Abot

Keeping with the weekend’s theme, we’ve decided to resurrect the Weekend Music Break with number 68! For those who forgot (or who are new to the site), this is the place to highlight music that has caught our eye, or landed in our inboxes this week. Enjoy this edition’s selections in no particular order:

First, the video for Rocky Dawuni’s lead single “African Thriller” has been out for awhile, but his new full lenth album Branches of the Same Tree was released just last week:

 

Next we have Kenyan-Dutch musician and filmmaker Festus with a dub reggae track, and video documenting a trip home to Nairobi and Kisumu. It’s beautifully shot glance at the East African landscape and its people (despite a bit of the persistent African Kids music video theme). The track is out last week via his own label Turtleville:

 

Ghanian Hiplife/Azonto star Atumpan moves on from the small girls to focus on the baby mamas with a rural village themed video:

 

UK-based South African DJ and producer Moroka put out a groovy edit of Senyaka Kekana’s early-Kwaito single “Go Away,” as a tribute to the recently passed singer:

 

Finally, BBC1xtra had their annual Destination Africa event this past month. For it, they sent UK-based artists Stormzy, Jay Vades, and New York-based singer JoJo Abot home to Accra to record a collaborative record called, “Mievado”. This week’s release of the song was accompanied by an interactive video that gives you little closer taste of each artists’ perspectives on the city.

 

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.