AfricaIs aCountry

The Rusty and Golden Radiators are back!

Africa Is a Country Podcast
African Five-a-Side Podcast

The Rusty and Golden Radiators are back!

By
Africa is a Country

The Norwegian Students’ and Academics’ International Assistance Fund (SAIH), the organization responsible for the brilliant Africa for Norway campaign, is back with their annual awards for the worst and best fundraising videos by international development organizations:

…and, like last year, Africa is a Country is on the jury! Judging for the Rusty and Golden Radiator Awards will commence soon, however we need your help dear Africa is a Country readers.

The committee is still looking for nominations, so if you have any ideas please share it in the comments on this post, or if you prefer, submit directly via email here: [email protected]. For inspiration, check out last year’s winners on the Rusty Radiator Awards website.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.