My first introduction to Comrade Nadine was through her writing during my student activist days in the mid-1970s and later when I was serving five years on Robben Island as a political prisoner from 1979 to 1984. Her writing struck me so powerfully as it spoke of the lived experiences of people like me fighting the everyday trauma of the inequities and horror of apartheid. Alongside the writings of Karl Marx, Rosa Luxembourg, Samora Machel, Fidel Castro, Mariama Ba, Chinua Achebe and countless other revolutionary authors and thinkers, Comrade Nadine’s work occupied a pride of place in the reading and study menu of Robben Island prisoners and activists in the streets of townships, rural villages, exiled freedom fighters, or university lecture halls.

It was after my release from a year-long (1986-1987) State of Emergency detention that I met Comrade Nadine face to face in July 1987 when she and other comrades (Prof Njabulo Ndebele, Achmat Dangor, Andries Oliphant, James Matthews, Gladys Thomas, Nise Malange, Mavis Smallberg, Barbie Schreiner, among others) converged at Wits University to form the once-vibrant but now-defunct Congress of South African Writers (COSAW). She was, and continued to be, a live wire of COSAW until its demise in the late 1990’s. She was always ready to serve, through its regional and national structures, the course of empowering young up-and-coming writers by organizing and taking part in creative writing workshops, encouraging “barefoot publishing,” straddling the country distributing books through what COSAW termed “suitcase” libraries, fundraising, international writer-exchange programmes, interaction with other writers’ organizations on the African Continent and elsewhere. She even put her own money into uplifting an already accomplished musician’s knowledge of reading and writing music and awards to encourage short story writing in African languages.

A freedom fighter always looking out for the less-privileged than herself, she was a committed campaigner in PEN International‘s prisoner of conscience committee to support detained writers and journalists.

Comrade Nadine’s brutal honesty and consistency are legendary, from picking a fight with Amiri Baraka on the best socialist route to her shredding you to pieces until you got your writing to a modicum of acceptability, to speaking truth to power at every level, whether you are friend or foe…

I had the privilege, through Comrade Nadine, of getting Nelson Mandela’s endorsement of a book of poetry Richard Bartlett and I were compiling, titled Halala Madiba–Mandela In Poetry. It was quite a feat when my wife, Sindiswa, Comrade Nadine and I got an audience with the great Madiba to personally hand the book over to him. Comrade Nadine was very selfless in that and many ways.

As we bid a sad farewell to this gallant fighter, Comrade Nadine,we remember her uncompromising stance in her defense of her political homes in the African National Congress and the South African Communist Party.

When it was not fashionable, she reached out to people she may not have seen eye to eye with, including the PAC’s firebrand, the late David Sibeko, whose last stop before he and his family went to exile was Comrade Nadine’s house: she and her late husband, Reinhold Cassirer drove them over the Botswana border.

There is more, so much, to say about this indomitable freedom fighter and fine writer.

May you beautiful and forever revolutionary spirit rest in eternal and graceful peace, you, guerrilla of the imagination, Comrade Nadine!

Image Credit: Bengt Oberger (Wiki Commons)

Further Reading

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.

From Nkrumah to neoliberalism

On the podcast, we explore: How did Ghana go from Nkrumah’s radical vision to neoliberal entrenchment? Gyekye Tanoh unpacks the forces behind its political stability, deepening inequality, and the fractures shaping its future.

The Visa farce

The South African government’s rush to clear visa applications has led to mass rejections, bureaucratic chaos, and an overloaded appeals system—leaving thousands in limbo.