Many collaborations and surprise comebacks popped up in our feeds this week. First, this one by Kenyans DNA and Tanzania’s Mr. Nice, who tried his luck in South Africa for a while but now seems to have found his ground again back home:

A Swedish-South African collaboration between Kwaai, Driemanskap, Syster Sol, Mofeta, Kristin Amparo, Cleo and Kanyi. Video by (photographer) Luke Daniel and Neil Wigardt:

Also shot in the Cape flats: this video for Pharoahe Monch in Mitchell’s Plain:

Still based in Brussels these days, Badi (Banx) returned from the DRC with a clip recorded at Nzonga Falls for “Losambo” (part of his ongoing Kin Transit video series):

An American-South African Hip-Hop collaboration between HHP, Omar Hunter El, Asheru, Benn Chad, OneTwo, Projector, Zubz, Cassper Nyovest, Nomadic, Element Lehipi Khalil on “Animals”:

Two new videos for Pan-American Los Rakas’ short “Mi Pais” (which has Raka Dun expressing his American dreams and struggles before joining Raka Rich in the studio — head over to YouTube for full English translations) and “No Tan Listo”:

http://youtu.be/h95ni5yPbAM

There’s a new single and video for Coely, who’s mostly filling Belgian clubs at the moment, but we can see that changing soon:

Johannesburg producer Alkabulans’ instrumental “Cross-Dimensional Symmetry”. Trust South African Iapetus Records to surprise us:

London combo Anthony Joseph and his Spasm Band recorded this video in Berlin for “Started off as a dancer”:

And since it’s been a while we included some Cabo Verde music here: old master Zé Luis performing “Ku Nha Kin Bem”:

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.