Africa Is a Country

Weekend Music Break, N°42

Weekend Music Break, N°42

By
Tom Devriendt

Many collaborations and surprise comebacks popped up in our feeds this week. First, this one by Kenyans DNA and Tanzania’s Mr. Nice, who tried his luck in South Africa for a while but now seems to have found his ground again back home:

A Swedish-South African collaboration between Kwaai, Driemanskap, Syster Sol, Mofeta, Kristin Amparo, Cleo and Kanyi. Video by (photographer) Luke Daniel and Neil Wigardt:

Also shot in the Cape flats: this video for Pharoahe Monch in Mitchell’s Plain:

Still based in Brussels these days, Badi (Banx) returned from the DRC with a clip recorded at Nzonga Falls for “Losambo” (part of his ongoing Kin Transit video series):

An American-South African Hip-Hop collaboration between HHP, Omar Hunter El, Asheru, Benn Chad, OneTwo, Projector, Zubz, Cassper Nyovest, Nomadic, Element Lehipi Khalil on “Animals”:

Two new videos for Pan-American Los Rakas’ short “Mi Pais” (which has Raka Dun expressing his American dreams and struggles before joining Raka Rich in the studio — head over to YouTube for full English translations) and “No Tan Listo”:

http://youtu.be/h95ni5yPbAM

There’s a new single and video for Coely, who’s mostly filling Belgian clubs at the moment, but we can see that changing soon:

Johannesburg producer Alkabulans’ instrumental “Cross-Dimensional Symmetry”. Trust South African Iapetus Records to surprise us:

London combo Anthony Joseph and his Spasm Band recorded this video in Berlin for “Started off as a dancer”:

And since it’s been a while we included some Cabo Verde music here: old master Zé Luis performing “Ku Nha Kin Bem”:

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.