Africa is a Country’s New Logo

You may have noticed a new logo lurking around Africa is a Country headquarters. When Sean put out the call for a design upgrade last year, I immediately thought of Diego Guttierez, an amazing graphic designer I’ve had the luck to work closely with in recent months. I met Diego a couple years ago when he was hanging with the Mex and the City folks. At the end of last year he signed on as the Art Director for Dutty Artz, the artist collective I belong to in Brooklyn, and has done an amazing job upgrading our visual identity. Now he’s agreed to help do the same for Africa is a Country. Check out the rest of his work here: http://talacha.net

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.