Africa Is a Country

Friday Bonus Music Break, N°30

Africa Is a Country Podcast
African Five-a-Side Podcast

Friday Bonus Music Break, N°30

By
Tom Devriendt

Let’s start our weekly round-ups of new music videos this year with some bangers. Representing Congo this week, rapper (and professional dancer) Dinozord: above. Next up, there’s new music and visuals from Art Melody (representing Burkina Faso):

“Lefteneh” by Bajah and the Dry Eye Crew — by the way, about the meaning of that Sierra Leonean “dry eye”:

Ty (born Ben Chijioke — Nigerians claim him) has a new video out as well:

From Liberia (Alloysious Massaquoi) and Nigeria (where Kayus Bankole’s parents come from) via Scotland (Graham Hastings’s place): Young Fathers:

Lee Fields played a set in a Dutch church last year. Yes, we’ll feature all of his videos:

Another acoustic performance; by France-based Oxmo Puccino (né Abdoulaye Diarra):

Judging by the rate at which Laura Mvula is putting out quality videos recently, it seems she’s intent on making the year 2013 hers. We don’t mind:

And in response to what’s happening in Mali, Fatoumata Diawara and her label have brought together a big group of musicians to record the song below. Artists performing on the track include (I’m copy-pasting) Amadou and Mariam, Oumou Sangare, Bassekou Kouyate, Vieux Farka Toure, Djelimady Tounkara, Toumani Diabate, Khaira Arby, Kasse Mady Diabate, Baba Salah, Afel Bocoum, Tiken Jah, Amkoullel and Habib Koite. Bruce Whitehouse’s got the details on the meaning of it all; and wonders where the Tuareg musicians are:

Further Reading

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.