Africa Is a Country

Friday Bonus Music Break, N°16

Friday Bonus Music Break, N°16

By
Tom Devriendt

Above is how people keep warm in Johannesburg winters. And below is what you hope to bounce to during long summer nights.

Southeast from Johannesburg. Music video made in Durban. Band’s from Durban. And they’re named after Durban:

Okayafrica tipped us off about the video for Ajebutter 22 (yeah…). Clubby:

Gazza’s ‘Friday Special’ (the song; turn down the bass a bit — quality’s grainy):

Elliot ran into revoluçionista rapper Azagaia eating prawns in Maputo this week. Here he is with ‘Minha Geração’:

More conscious hip hop, recorded between Kinshasa and Brussels, by Didier Awadi, Fredy Massamba, Steve Mav and Lexxus Legal:

Haven’t heard Mikko–admittedly, in his spare time 1/3rd of Chuck D’s Planet Earth Planet Rap program–as excited about a new release as over the past days. Must be the return of Public Enemy:

Two from Kenya. Xtatic…

…and Rabbit’s ‘Swahili Shakespeare’ (in a slower mode):

And to wrap up the week: I didn’t know about Malian Sibiri Samaké until top music blog Tropicalidad (one day they’ll drop the “world music” tag) mentioned him this week. This recording in Studio Bogolan is exceptional:

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.