Africa Is a Country

Friday Bonus Music Break, N°16

Africa Is a Country Podcast
African Five-a-Side Podcast

Friday Bonus Music Break, N°16

By
Tom Devriendt

Above is how people keep warm in Johannesburg winters. And below is what you hope to bounce to during long summer nights.

Southeast from Johannesburg. Music video made in Durban. Band’s from Durban. And they’re named after Durban:

Okayafrica tipped us off about the video for Ajebutter 22 (yeah…). Clubby:

Gazza’s ‘Friday Special’ (the song; turn down the bass a bit — quality’s grainy):

Elliot ran into revoluçionista rapper Azagaia eating prawns in Maputo this week. Here he is with ‘Minha Geração’:

More conscious hip hop, recorded between Kinshasa and Brussels, by Didier Awadi, Fredy Massamba, Steve Mav and Lexxus Legal:

Haven’t heard Mikko–admittedly, in his spare time 1/3rd of Chuck D’s Planet Earth Planet Rap program–as excited about a new release as over the past days. Must be the return of Public Enemy:

Two from Kenya. Xtatic…

…and Rabbit’s ‘Swahili Shakespeare’ (in a slower mode):

And to wrap up the week: I didn’t know about Malian Sibiri Samaké until top music blog Tropicalidad (one day they’ll drop the “world music” tag) mentioned him this week. This recording in Studio Bogolan is exceptional:

Further Reading

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.