10 songs we’ve been listening to this week. First up — and fresh — Gaël Faye and Tumi (who needs no introduction):


Also from Burundi: Mudibu has a story and a song to share (H/T Karl Steinacker):

The exceptional Y’akoto tells us a bit more about how she goes about writing songs but in between her French words there’s an example too:

Jitsenic (Jitsvinger and Arsenic) dropping verses and truths on South African Bush Radio:

http://www.youtube.com/watch?v=E3ZJ-leUK2w

Akala and Selah wrote ‘A Message’:

From Mali, remember Ben Zabo?

From the band named after a Nigerian state capital, Benin City:

Iyadede gives Mark Ronson & The Business, Andre Wyatt and Boy George a makeover:

The Mighty Third Rail — the alternative hip hop trio that combines beat-boxing, poetry, violin and upright bass:

And a full concert by Rachelle Ferrell and George Duke band. Live in Montreux (1997):

Further Reading

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.