AfricaIs aCountry

Friday Bonus Music Break, N°11

Africa Is a Country Podcast
African Five-a-Side Podcast

Friday Bonus Music Break, N°11

By
Tom Devriendt

10 songs we’ve been listening to this week. First up — and fresh — Gaël Faye and Tumi (who needs no introduction):


Also from Burundi: Mudibu has a story and a song to share (H/T Karl Steinacker):

The exceptional Y’akoto tells us a bit more about how she goes about writing songs but in between her French words there’s an example too:

Jitsenic (Jitsvinger and Arsenic) dropping verses and truths on South African Bush Radio:

http://www.youtube.com/watch?v=E3ZJ-leUK2w

Akala and Selah wrote ‘A Message’:

From Mali, remember Ben Zabo?

From the band named after a Nigerian state capital, Benin City:

Iyadede gives Mark Ronson & The Business, Andre Wyatt and Boy George a makeover:

The Mighty Third Rail — the alternative hip hop trio that combines beat-boxing, poetry, violin and upright bass:

And a full concert by Rachelle Ferrell and George Duke band. Live in Montreux (1997):

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.