Music Break. Friday Bonus Edition, N°2

An eclectic one. Ethiopian and Ivorian pop, Philly neo soul, Swedish and South African rap and Brazilian jazz.

Philadelphia neo soul keeps it topical. One thing we could not figure out: Bilal–half breaking with the dress code of his hosts Kindred–does a guest verse and throws in a line about ‘USA to Africa’: “And your moving out cause the cost of living is sky high and you know we working on it but its no word from USA to Africa.” What does he want?

In Ethiopia, pop is doing fine. Listen to Nigusu Tamrat:

http://www.youtube.com/watch?v=hek1SlQrnQ4

Almost as poppy, from the Ivorian diaspora comes this song by Dobet Gnahoré and Manou Gallo which, they hope, ‘will contribute to bring back together and reconcile all Ivorians’:

Swedish rapper Ken Ring and Norwegian producer Tommy Tee went to record the video for ‘Plocka Han’ in Korogocho (Nairobi, Kenya):

From KwaMashu (Durban, South Africa) comes Zakwe:

http://www.youtube.com/watch?v=6e9HrQUJgvo

And to end the week: Rio de Janeiro’s Guanabara Bay as seen through the eyes of French director Vincent Moon, Brazilian pianist Laércio de Freitas and his daughter, singer Thalma:

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.