Africa Is a Country

The silence between portraits

The silence between portraits

By
Tom Devriendt

Number 17 in our 'Found Objects': The short documentary, 'Mr. Mkhize,' by photographers Adam Broomberg and Oliver Chanarin.

Mr Mkhize.

The short documentary, ‘Mr. Mkhize,’ is a three-month journey taken by photographers Adam Broomberg and Oliver Chanarin in 2003 and commissioned by the South African government. Here’s the backstory: “… Mr. Mkhize has been photographed twice before in his life. The first was for his Pass Book, which allowed the apartheid government to control his movements. The second was for his Identity Book, which allowed him to vote in the first democratic elections in 1994. Ten years later, we took his picture for no official reason.”

What makes it remarkable is not just the silence in between the portraits, usually reserved for a photography exhibition’s catalogue, but also the fact that some parts in the series (some of them very intimate) seem to carry the subjects that were later picked up by other (South African) photographers (such as in Pieter Hugo’s The Bereaved, Jodi Bieber’s Real Beauty, or Mikhael Subotzky’s Beaufort West and Ponte City).

Watch.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.