It’s been a long time coming. The case that was opened in 2007 by Bienvenu Mbutu Mondono against the publishers of Hergé’s ‘Tintin in the Congo’ (published in some languages as ‘Tintin in Africa’) finally got its hearing at the Brussels court yesterday. “The problem is not Hergé’s,” Mondono’s lawyer told the press. “The problem is the commercialisation of a comic manifestly spreading ideas that are based on racial superiority.” The publisher’s lawyer warned a ban would be like opening Pandora’s Box. “What with the anti-Semitic passages in Dickens’s work? Mark Twain? The Bible?” It’s unlikely the judge will forbid the future publishing of the comic outright. Settling for a warning (like the English editions carry these days) sounds more probable. After being postponed several times, the case should come to a close later this year. That’s when Spielberg’s Hollywood version of Tintin will hit the theatres here. Timing is everything.

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.