Africa Is a Country

Lesotho’s Independence Day

Lesotho’s Independence Day

By
Ts'eliso Monaheng

Even though music in Lesotho is dominated by its South African neighbors, there are local genres and artists which have managed to fare well commercially.

Sankomota in the early 1980s. Photo: Bandcamp.

When I was growing up, Independence Day was quite a big deal in and around Maseru, Lesotho. Besides it being a public holiday, it carried with it the promise of festivities which usually occurred at our national stadium. A lot has changed since then, and some would claim for the worse. But instead of writing about another factory workers’ strike, yet another double-digit salary hike for ministers, or a former convict being appointed to public office, I would rather focus on other things — like music for instance. Music is central to our existence as Basotho, and even though we too are victims of the usual cacophony of western sounds dominating our airwaves (with a dip of Kwaito and house, courtesy of our South African neighbours), there are genres which have managed to fare well commercially. Below is a collection of videos sourced from youtube. Some of them are quite dated — our artists seem not to hold Internet presence in high regard at all.

Sankomota’s ‘Stop the war’. Arguably still the best musical export from Lesotho by far, even though most of the members are no more.  Honorary mentions: Fatere, Budhaza and Qiloane.

After a long time bubbling in Lesotho’s underground hip-hop scene, Dunamis managed to rise above and get some acclaim with the release of this video for ‘Mastered Seed‘ which received wide rotation on Channel O and SABC1. Honorary mentions: Papa Zee, Kommanda Obbs, Stlofa and Skebza.

Manka le Phallang are but one in a myriad of famo musicians. Along with the likes of Puseletso Seema, Tau ea Mats’ekha, and Apollo Ntabanyane, they were among the first to popularise the genre. This is their ‘Ea nyoloha khanyapa‘. Honorary mentions: Famole (RIP), Mahlanya and Chakela.

And to round up: Lefate. They’ve split, but not before releasing this video from their album Ha le lapa lea solla. They refer(ed) to their music as ‘Mokorotlo’, an ode to the Basotho hat which resembles the hill of Qiloane. I can especially recommend ‘Life’s like a lie.’ Honorary mentions: Manyofi and Mthibo.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.