In Paris the Maison Revue Noire gallery presents a retrospective on the work of photographer Jean Depara. Born in Angola in 1928, Depara moved to Congo at a young age. After living and shooting in Léopoldville/Kinshasa for some years, his work was noted by music star Franco who asked him to become his official photographer. The resulting black and white pictures chronicling the city’s night life in the fifties and sixties, the young Bills, the miziki and the sapeurs are, until this day, unmatched. Depara died in 1997, leaving his archive of hundreds of negatives untitled.

The exhibition runs until 17 December.

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.