In Paris the Maison Revue Noire gallery presents a retrospective on the work of photographer Jean Depara. Born in Angola in 1928, Depara moved to Congo at a young age. After living and shooting in Léopoldville/Kinshasa for some years, his work was noted by music star Franco who asked him to become his official photographer. The resulting black and white pictures chronicling the city’s night life in the fifties and sixties, the young Bills, the miziki and the sapeurs are, until this day, unmatched. Depara died in 1997, leaving his archive of hundreds of negatives untitled.

The exhibition runs until 17 December.

Further Reading

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Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

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