I first saw Kesivan Naidoo play at the Independent Armchair Theater in Observatory. I was living around the corner at the time. He played drums in Tribe, a band fronted by pianist Mark Fransman. Much has changed since then. Naidoo is now sought after and fronts his own bands. These include Babu and Kesivan and the Lights. The video above, from a 2008 performance in Grahamstown in South Africa’s Eastern Cape, shows Kesivan and the Lights taking on “Timelessness,” a composition by the late Bheki Mseleku.

And since it is Sunday, here’s a link to a 15 minute Youtube video of Kesivan and the Lights being joined on stage by trumpeter Feya Faku. BTW, that’s Fransman on the piano.

Further Reading

After the coups

Without institutional foundations or credible partners, the Alliance of Sahelian States risks becoming the latest failed experiment in regional integration.

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.