Although the effect of blending the music by Shabazz Palaces and the images of documentary-in-the-making Tough Bond escapes me, for now, I am looking forward to seeing the end results (both of the documentary and the Shabazz Palaces first full album Black Up). Shabazz Palaces sure know how to pick their directors.

Remember the video for their ‘Belhaven Meridian’ by Kahlil Joseph:

http://www.youtube.com/watch?v=VMZKPaSF0GE

Kahlil Joseph, who in his turn also shot a magnetic short film for Brazilian musician and actor Seu Jorge (featuring a cover of Roy Ayers’s ‘Everybody Loves the Sunshine’ and Kraftwerk’s ‘The Model’):

Further Reading

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.