Although the effect of blending the music by Shabazz Palaces and the images of documentary-in-the-making Tough Bond escapes me, for now, I am looking forward to seeing the end results (both of the documentary and the Shabazz Palaces first full album Black Up). Shabazz Palaces sure know how to pick their directors.

Remember the video for their ‘Belhaven Meridian’ by Kahlil Joseph:

http://www.youtube.com/watch?v=VMZKPaSF0GE

Kahlil Joseph, who in his turn also shot a magnetic short film for Brazilian musician and actor Seu Jorge (featuring a cover of Roy Ayers’s ‘Everybody Loves the Sunshine’ and Kraftwerk’s ‘The Model’):

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.