Thanks to HavePlentyMusic I saw that big time house producers experimenting with Kuduro for a few years, are perhaps finally ready for Coupe Decale (Click through to listen to the remix). Kind of full circle really, as I really think Bob Sinclair’s and similar productions were a big influence on the sound of Coupe Decale, and the Euro pop surge of Magic System, Jessy Matador, et al to begin with. Boddhi Satva a house producer from Central African Republic is the perfect ambassador to bring it to the scene at large. Watch him shake his Bobaraba in a recent video interview.

Traxsource who is selling a DJ Arafat (Côte d’Ivoire) single as remixed by Boddhi describes it as “real African music.” I’ve noticed that while sites like Traxsource and the house scene in general have managed to support music that helps to redefine notions of what “African music” means, there is a tendency at the same time to hold the music back dealing in descriptions that rely on rehashed stereotypes and notions of authenticity.

Boddhi Satva does more, real Central-African-Belgian-House-Remixing below:

Further Reading

After the coups

Without institutional foundations or credible partners, the Alliance of Sahelian States risks becoming the latest failed experiment in regional integration.

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.