Bridging the Western art world and the West African film industry, London-based artist Doug Fishbone cast himself as a local farmer in the film Elmina, a feature-length movie shot and produced in Ghana and starring well-known Ghanaian actors. The over-the-top story is rife with witchcraft, murder, and intrigue as the characters battle against corrupt multinational corporations, but it all pales in comparison to how bizarre (sometimes painfully and sometimes amusingly) it is to watch Fishbone, “a white Jewish guy from New York,” play the lead role without any reference to the overtly odd casting choice. “In a quietly radical way [it] completely overturns conventions of race and representation,” he says. Adding another level of interest is Fishbone’s choice to release the film throughout Africa on DVD–planting one foot in mass-media–as well as to put it on limited display at the Tate Britain and Rokeby galleries in London–planting the other in the more limited art world.

From the little I’ve read I like the politics behind this project, but I’d like to hear what others think of it.  Here’s the film’s trailer:


[youtube=http://www.youtube.com/watch?v=3VdcYp8neDg]

Via [H/T: Nerina Penzhorn]

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.