African Immigrant Life in New York City

Students in my Media and Africa seminar at The New School create short video profiles of African immigrant experiences in New York City. Here I highlight a few of the striking ones.

Biggie Smalls mural on Fulton St. in Fort Greene, Brooklyn. Image via author.

For the final assignment in my Media and Africa class at The New School, I asked students to create short video profiles of African immigrant experiences in New York City. Most students had never blogged, filmed, or edited content for public viewing before. None of the films exceed 7 minutes. Each is powerful, reflecting immense student effort. While I have links to all the videos, I’ll highlight a few in this post.

The short film “The Big Dreamer,” by Anni Lyngskaer, tells the story of Lookman Mashood, co-owner of Buka, a Nigerian restaurant that opened this year in the Clinton Hill section of Brooklyn. Robert Sietsema, Voice food critic, checked out the restaurant already and wrote about it.

The second film, below, by Porsha Elaine, is a profile of a young, Nigerian-American singer, Tigre Fisher:

Other videos covered immigrant performers on Broadway, the relationship between African Americans and African immigrants in Harlem; the travails of African diplomats at the United Nations; and a Nigerian chief who lives in Queens.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.