African Immigrant Life in New York City

Students in my Media and Africa seminar at The New School create short video profiles of African immigrant experiences in New York City. Here I highlight a few of the striking ones.

Biggie Smalls mural on Fulton St. in Fort Greene, Brooklyn. Image via author.

For the final assignment in my Media and Africa class at The New School, I asked students to create short video profiles of African immigrant experiences in New York City. Most students had never blogged, filmed, or edited content for public viewing before. None of the films exceed 7 minutes. Each is powerful, reflecting immense student effort. While I have links to all the videos, I’ll highlight a few in this post.

The short film “The Big Dreamer,” by Anni Lyngskaer, tells the story of Lookman Mashood, co-owner of Buka, a Nigerian restaurant that opened this year in the Clinton Hill section of Brooklyn. Robert Sietsema, Voice food critic, checked out the restaurant already and wrote about it.

The second film, below, by Porsha Elaine, is a profile of a young, Nigerian-American singer, Tigre Fisher:

Other videos covered immigrant performers on Broadway, the relationship between African Americans and African immigrants in Harlem; the travails of African diplomats at the United Nations; and a Nigerian chief who lives in Queens.

Further Reading

After the uprising

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Binti, revisited

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The bones beneath our feet

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What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.