[youtube=http://www.youtube.com/watch?v=jgAhDy41Vwk&w=500&h=307&rel=0]

In this short video Portuguese singer Carmen Souza speaks about her third album “Protegid” (which she recorded with Theo Pas’cal), her Cape Verdean roots, the “Rabelados” (Creole for ‘rebels’, or, ‘non-violent rebels of the Cape Verde Island’, as they are known these days) and jazz pianist Horace Silver (himself born to a Cape Verdean father).

Here’s a great live recording of her playing “Song for my father”:


[youtube=http://www.youtube.com/watch?v=YGZc2QEFm1A&w=500&h=307&rel=0]

We like our jazz.–Tom Devriendt

Further Reading

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.