These photographs (above and below) by South African Rushay Booysen (from Port Elizabeth in the Eastern Cape province) forms part of the  “Africa Uploaded: Experiences Through The Lens” (offline) exhibit next month–December 7 till 31, 2010–in the United Arab Emirates “… curated by Annabelle Nwankwo-Mu’azu and under the patronage of Nobel Laureate, Prof Wole Soyinka.”  The rationale for the exhibit: “… This exhibition focuses on the work of a groundbreaking generation of artists, capturing their experiences as ‘Afrophiles’ and cultural trailblazers. The experience is multi-sensory and employs photography, video projections and film.” Apart from Booysen, the featured artists–all photographers–are Angèle Etoundi Essamba (Cameroon), Uche James Iroha (Nigeria), Antony Kaminju (Kenya), Mandla Mbyakama (South Africa), Aida Muluneh (Ethiopia), Ntare Guma Mbaho Mwine (Uganda/USA) and Lindeka Qampi (South Africa). Anybody passing through the UAE this month?

Further Reading

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.

After the coups

Without institutional foundations or credible partners, the Alliance of Sahel States risks becoming the latest failed experiment in regional integration.

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?