When sleepless I often find myself browsing through time and space, moving from Johannesburg’s CBD to Ouagadougou’s boulangeries and back to Maputo’s fish market, watching the streets in Accra, Bamako and Cairo. Over at City One Minutes they’re steadily building a kaleidoscopic library of city lives – each life divided into twenty-four one minute portraits, each depicting one hour of the day. Every film is an impression of the city in which the artist lives or happens to be. And it’s not only African cities. Addictive. And you can join.

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.