Africa Is a Country

Postmodernism on Ice

Postmodernism on Ice

By
Sean Jacobs

The Winter Olympics features a Russian skaters who dress in animal skin costumes to perform to an "Aboriginal Song." There's more.

Skaters from the Winter Olympics; not the ones in animal skins or the ones coached by a former Stasi informer (Zemistor, via Flickr CC).

So it turns out that tonight at the Winter Olympics in Vancouver, Canada, in the pairs figure skating finals, Germany will be presented by Robin Szolkowy, whose father is Tanzanian (his mother is German), along with his Ukranian-born partner, Aliona Savchenko. Together they will perform a routine choreographed to the music of the film, “Out of Africa,” which, if you forgot, is based on a Danish writer‘s white colonial fantasy of Kenya.  And, to top it all, as a German friend informed me, Szolkowy and Savchenko’s coach, himself a championship skater, was an informant for the East German secret police. My head is spinning.

I won’t waste any comment on the Russian pair who put on animal skin costumes (think a Broadway fantasy like The Lion King) to perform their “Aboriginal Song.” Australian indigenous leaders objected, but they still continued. They just washed off their face paintings. That’s too easy.

Update: Overall, Szolkowy and Savchenko won the bronze medal for Germany in Vancouver. Domnina an Shabalin, the animal print pair, did not medal.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.