
Cut out of society
African women en route to Europe often land up stuck in Morocco, taking on precarious work as hairdressers and beauticians.
African women en route to Europe often land up stuck in Morocco, taking on precarious work as hairdressers and beauticians.
Filmmaker Khady Sylla amplifies the voices of and gives visibility to the domestic workers tending to the homes of Africa’s middle classes.
The Senegalese director, Safi Faye’s classic 1996 film, Mossane, is a love tragedy and a spiritual quest in Sereer land.
For African women passing through Morocco en route to Europe, begging on the streets becomes a way to support themselves, but also reinforces humiliation and shame.
Mabel Cetu is considered South Africa's first Black woman photojournalist and documented the everyday lives of Black communities in the 1950s.
Safi Faye's 1976 film, 'A Farmer's Love Letter,' exposes the gap between the post-colonial state and the concerns of ordinary people.
The last film of underappreciated Senegalese director, Khady Sylla dealt with mental health. It is worth revisiting it now for its groundbreaking portrayal of depression suffered by two women friends.
Director Alice Diop’s 'Saint Omer' is preoccupied with what binds women together, the traumas that are inherited, shared and possibly overcome.
The Ghanaian game, Ampe, is an education in Blackness and womanhood.
Political encounters between the Arab Gulf and Africa span centuries. Mahmud Traouri's novel 'Maymuna' demonstrates the significant role of a woman’s journey from East Africa to the Kingdom of Saudi Arabia.
How might refugee as well as forced migration studies benefit from the movement to decolonize all aspects of African Studies?
African women exercise their right to migrate, but also face dilemmas on their way to the unknown. We need policies that protect them.
African migrant women are exposed to intersectional systems of violence but are not simply victims.
Humiliation and stigma are companions for women seeking assistance from courts to obtain maintenance in South Africa.
In the second of five articles on Afrobeat music in South America, political scientist Simon Akindes writes about the all women and nonbinary Brazilian band, Funmilayo Afrobeat Orquestra.
The artist, Frida Orupabo, explores the social world around her via her large collages. Curator, Elvira Dyangani Ose, spoke to her about her work.
The wives of (former) heads of state form an important part of the political elite in Guinea, considerably shaping the country’s sociopolitical and economic past and present.
We can do more than tell young African girls to work hard in school. We need a real plan for the fully self-actualized people we want them to be.
Recently, gender-based violence has entered Senegal’s national conversation. But are people only paying lip service? On the AIAC Podcast we discuss women and the nation.
The documentary film Mane about two women—a rapper and a wrestler—is a much-needed boost of fresh air in the male-saturated tale of the “Generation hip hop” of Senegal.