
The Sheck Wes story
Harlem rapper Sheck Wes's star rises in the shadow of Dapper Dan and Cheikh Amadou Bamba.

Harlem rapper Sheck Wes's star rises in the shadow of Dapper Dan and Cheikh Amadou Bamba.

Manu Dibango has been here for centuries, and he ain't goin' away any time soon.

Free jazz drummer Louis Moholo-Moholo comes home to his childhood home in Cape Town, carrying the spirit of his generation.

A group of Nigerian thinkers debate rapper Falz's take on Childish Gambino's viral "This Is America."

Why has Childish Gambino's "This is America" video resonated with so many people around the world?

Chief Boima and Francesca Harding on race and cultural difference in Latin America through the lens of trap music.

More than a decade after his first hit, Wanlov the Kubolor remains a fiercely creative, independent and critical deconstructor of all things commercial.

Francesca Harding joins Chief Boima for the fourth episode recorded in Los Angeles, California. Our guest is Angolan activist Mel Gamboa.

The Sauti za Busara festival in Zanzibar aims to show that music is much more than a collection of tunes.

Eritrean-American rapper Nipsey Hussle mix of immigrant and street hustle.

The plot of Drake's music video for "God's Plan" is him giving him out money to the poor. What was he trying to say?

Lesedi Tshane's grandfather played with Hugh Masekela. He would later study with Masekela and replace Masekela on a bill with Abdullah Ibrahim.

A deep dive into the African-influenced music scene of the Colombian Caribbean coast.

A deeper look at the contemporary Cuban Hip Hop scene with Luna Olavarria Gallegos, one of the producers of the Afro Razones project.

Nigerien band Anewal eschews explicit politics and sings mostly of harmony and brotherhood.

Ten post-independence, pre-coup struggle songs that critiqued ZANU-PF under Mugabe and imagined a leadership change and different political culture.


This weekend's music break is dedicated to the isla del encancto.


The hit song and its production reflect everything that is wrong with the music industry and how it exploits the cultural production of communities of color.