Africa Is a Country

Africando in Colombia

Africa Is a Country Podcast
African Five-a-Side Podcast

Africando in Colombia

By
Boima Tucker

A deep dive into the African-influenced music scene of the Colombian Caribbean coast.

El Caribeño, new school Pico, Barranquila. Image credit Jim C. Nedd.

This month’s Africa Is a Country Radio INTL BLK episode takes a deep dive into the African-influenced music scene of the Colombian Caribbean coast, co-presented by Palmwine.it in celebration of their Guarapo album. Before that we run through some of the latest tunes from the contemporary Afropop landscape with stops in Nigeria and Kenya, as well as take a stop in Brazil to celebrate Carnival. Last but not least, RIP Hugh Masekela.

Further Reading

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.