
Representing northern Ghana
A hierarchy exists against indigenous film industries in the Ghanaian film industry.

A hierarchy exists against indigenous film industries in the Ghanaian film industry.

Media scholar Cara Moyer-Duncan wrote a book about postapartheid South Africa. Here she gives her book picks for our #ReadingList series.

What it means to be a man and a feminist.

Raja Casablanca's fan clubs are well organized, politically active and occasionally violent.

Recreational soccer in New York City offers significant social, cultural, and sometimes economic support for the city's working class African immigrants.

Jumoke Verissimo’s first novel, A Small Silence, explores the psychic afterlives of protest in Nigeria’s Fourth Republic.

Paranoia is my friend since, as Achille Mbembe says, “the pandemic democratizes the power to kill; now we all have the power to kill.”

What roles have francophone African women played in movements for pan-African liberation, historically and now?

Rapper Khaligraph Jones (government name: Brian Ouko Robert) chronicles the challenges faced by young people in Nairobi, Kenya.

A plea for foodie celebrities like Chang, the host of a popular Netflix show, to take African cuisine seriously.

The "Africa needs help" vs. "No! Africa can teach you lessons!" is tiring. Other than benefiting a few pundits, are we deriving any value from it?

The basic lesson from Halima Ouardiri’s short film, “Clebs,” about over 750 stray dogs living in a Moroccan sanctuary: We behave just like dogs.

Africans rarely re-evaluate ourselves, the basis of our knowledge and our traditions on our own terms, argues Sierra Leonean writer Ishmael Beah.

How do white South African writers confront the country's as well as their own pasts?

A new film set in Djibouti City presents a searing class critique of Somali girlhood.

Talking to other African women about sexual experiences, desires, and fantasies without feeling judged.

The recent news of evictions and mistreatment of African students in China during the COVID-19 pandemic is rooted in a history of violence and discrimination.

The imperial legacy of the camera and the narrative power of words and images.

Activists in the occupied territories reinvent the Freedom Rides of 1960s America and in the process link US and Palestinian struggles for liberation.

The intersecting dynamics of class and gender, changing beauty ideals, and the expansion of consumer capitalism in Africa.