Religion outside the law
Some churches in South Africa have become embroiled with criminal economies.
Some churches in South Africa have become embroiled with criminal economies.
A new documentary about Equatorial Guinea and the exiled writer Juan Tomás Ávila Laurel provides an honest, critical examination of the country's political, social, and cultural issues.
Director Mahamat-Saleh Haroun utilizes the fluid space of the Sahel to demonstrate the power of cinema as a limitless art.
The book 'Emerald Labyrinth' explores American and Congolese efforts to document species biodiversity.
The director of Kenyan film 'Rafiki' discusses leading the struggle against state sponsored censorship in Kenya right now.
What if you survey African literature professors to find out which works and writers are most regularly taught? Only a few canonical ones continue to dominate curricula.
A fan of rapper Naira Marley writes that it will take more than counter-cultural popularity to effect any tangible change in Nigeria.
Local traditions of crisis management have largely been shed along the path to “development.” The age of COVID-19 is the time to recover them.
We're back with another playlist of songs for your weekend!
The exhibition, 'Men Lebsa Neber,' features a staggering collection of the clothes and stories of rape survivors across Ethiopia.
The blitz on monuments signifies not the abandonment of history, but rather the rejection of a narrative of modernity created by the heirs of global plunder.
Pressure on African writers to avoid the criticism of poverty porn limits the imagination of the writer and the ability to speak truth to power.
How do we deal with the unfinished business of the past? Cape Town has a surprisingly poetic answer.
COVID-19 re-affirmed journalism is a public good, yet as newsrooms collapse, journalism is in danger.
Drummer Asher Gamedze’s new album is a groundbreaking body of work in the musical trajectory of South African jazz.
Leila Hassan and Farouk Dhondy worked at the UK publication Race Today that chronicled the early 1980s struggles against racism there.
When a young Ethiopian, Haile Gerima, made a film about the exploitative nature of American college sports and the role of Black athletes in society.
What explains this reluctance to discuss the permanence of symbols honoring slave traders and colonialists in the public spaces in both France and its former colonies?
With a new book, Chimurenga resurrects Festac, the blackest and largest ever gathering of artists from Africa and its diaspora in 1977 in Lagos, Nigeria.
Islam is interpreted to establish the dominance of men, and this male supremacy is at the root of all our problems.