
Mothers and mothering
Director Alice Diop’s 'Saint Omer' is preoccupied with what binds women together, the traumas that are inherited, shared and possibly overcome.

Director Alice Diop’s 'Saint Omer' is preoccupied with what binds women together, the traumas that are inherited, shared and possibly overcome.

Fanon Studies has stubbornly failed to consider how Algeria may illuminate Frantz Fanon’s theoretical commitments.

An anthology brings together 27 international scholars to deepen our understanding of popular culture on the African continent.

What happens when black and brown authors write about white people? Although novels by Chinelo Okparanta and Mohsin Hamid tread into this risky unknown, they do not go far enough.

The future of Stellenbosch University does not depend on whether white people there can transcend individual stereotypes and prejudice. It depends on whether they can articulate anti-racism as a genuine political position.

In the documentary film 'Abderrahmane Sissako, un cinéaste à l’Opéra,' the director is in complete control of his artistic vision.

The Ghanaian game, Ampe, is an education in Blackness and womanhood.

Author RW Johnson's latest aberration is a mix of fiction and lazy research that misrepresents anti-apartheid struggle leaders.

The imperative to tell the untold stories of Zimbabwean freedom fighters during that country’s liberation war, especially their engagement with spirituality.

What happens when companies start to sell the idea of a frictionless consumption that helps people at the same time?

As Iran withstands one of its greatest existential challenges, its men's national team would be forced to carry the weight of a nation’s despair on the field.

The reality of any society, any nation, and of our world, is much messier than picking a soccer team.

The positive reactions of Africans to Morocco’s performance at the World Cup are not outliers. Sport has often challenged outsiders' view of Africa's regions as disparate and disconnected.

Morocco’s World Cup heroics are forging a new, dissident Third-World solidarity, reflecting the multifaceted nature of Moroccan identity itself: simultaneously Arab, African, and Amazigh.

The 2022 Men’s World Football Cup is in its knockout stages, so the Africa Is a Country podcast catches up with some of the most exciting events so far in the tournament.

The funeral of popular Angolan musician Nagrelha underscored his capacity to mobilize people and it reminds us that popular culture offers a kind of Rorschach test for the body politic.

If someone had to hold the title of father of African cinema, Ousmane Sembéne would be the most compelling candidate.

To be African means at some point to desire to leave. African cinema can provide solace for our tortured relationship to the West and our own continent.

Nollywood makes more films than Hollywood and Bollywood. What it lacks is strong marketing and promotion.

Gregg Mitman’s 'Empire of Rubber' is less a historical reading of Liberia than a history of America and racial capitalism through the lens of a US corporate giant.