Whose democracy?
In Israel, tens of thousands have demonstrated against the new right-wing government’s plans for judicial reform. But what of the Palestinian question? In this episode of the podcast, we discuss.
Blog
The phenomenological real
A book by writer Melissa Thackway and director Jean-Marie Teno highlights an ethical and politically engaged partnership between filmmaker and film critic.
The future of South Africa’s Tripartite Alliance
On March 20th there was a national shutdown in South Africa. On that day, we hosted a discussion in Johannesburg on the effectiveness and future of the South African left.
To speak freely in Zambia
The Zambian state must make better concessions regarding free speech. The people have been demanding that since independence.
The ways of South Africa’s cricket establishment
In South African cricket, almost three decades after white rule ended, “local talent” means “local white talent,” even if you’re the national team captain.
We don’t need another hero
In Nigeria’s recent election cycle, many citizens looked to Peter Obi for change. But the country needs people-led social transformation, not saviors.
Cut out of society
African women en route to Europe often land up stuck in Morocco, taking on precarious work as hairdressers and beauticians.
Against war: Africa in the new world disorder
The war in Ukraine indicates a new world disorder, where great powers fight for primacy and Africa continues to be exploited.
South Africa’s energy crisis
Why is South Africa suffering from up to 12 hours of blackouts a day? On this podcast, we explain the country’s energy crisis.
Reading List: Zikhona Valela
The author of 'Now You Know How Mapetla Died,' a book on the murder of a leading Black Consciousness leader, writes about her research.
Emancipation that costs servitude
Filmmaker Khady Sylla amplifies the voices of and gives visibility to the domestic workers tending to the homes of Africa’s middle classes.
Outside the field of African art
Asking whether white people should curate African art anymore, may be outdated. Instead we should ask: what is African art now and does the category matter anymore?