
A country of spectacular stories
A few days after Nigeria’s presidential elections, with a disputed winner declared, here are some initial conclusions and prospects.
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Fatima B. Derby is a Ghanaian feminist writer and queer activist.

A few days after Nigeria’s presidential elections, with a disputed winner declared, here are some initial conclusions and prospects.

Successive Ethiopian governments have continued a ‘modernizing’ project that not only offers people false dreams, but actively dislocates them from the things that gave them purpose in the past.

By looking through the lenses of Brussels’ diverse youth, ‘The Porters’ questions the ways Belgium fails to deal with its colonial past.

2023 marks 50 years since the Durban Strikes. It doesn’t fit neatly fit into mainstream accounts of the struggle against South African apartheid.

On the one year anniversary of Russia’s invasion of Ukraine, neither the West or Russia can clearly explain how exactly the rest of humanity, especially Africans, wins from their respective preferred outcomes.

Peter Obi, one of the three main candidates for Nigerian president, is neither a savior nor a socialist, but his candidacy and his supporters have enlivened Nigerian elections.

Rwandan writer Scholastique Mukasonga chronicles life, death, return and grief in her story collection, ‘Igifu.’

What do Europeans do when they hear the war waged by the government of Ethiopia has killed more people than the war in Ukraine?

Anyone who has attempted to describe dance in writing knows how difficult it is. These books on dance on the continent and the diaspora gets close.

The writings of Ugandan lawyer David Mpanga are both literary and legalistic, rooted in African conceptions of storytelling and self-determination.

Despite its proud history, the South African Communist Party has recently taken a backseat in South African politics. Understanding its roots helps us understand how it got here and what it will take to be rejuvenated.

The intergenerational traumas of an anti-Black world in August Wilson’s Fences are only too familiar to South Africans.

The Senegalese director, Safi Faye’s classic 1996 film, Mossane, is a love tragedy and a spiritual quest in Sereer land.

The excessive reporting of the interplay between non-African powers in the Sahel—however crucial it may be to understand regional dynamics—betrays a Western-centric bias in international news coverage.

For many African immigrants in the United States, being seen as Black doesn’t necessarily equate to seeing oneself as Black.

South African jazz drummer Tumi Mogorosi’s latest project is a call to black people to share the questions that render our condition one of deep ache.

In ‘Black Girl’ (1966) and ‘Cuties’ (2020), M’Bissine T. Diop is a cautionary figure who warns of colonialism’s wounds and afterlives for Black girl belonging in the present day.

On the publication of his book on black life on the margins, the South African author reflects on work that expand the meaning of being black on the world.

The UKs deportation pact with Rwanda is being likened to a “human trafficking deal.” It reflects the state of Rwandan politics.

A new film by documentarians Sara Newens and Mina T. Son shows yet another way in which nature is enlisted to marginalize Black communities.