Africa Is a Country

Weekend Music Break 54

Africa Is a Country Podcast
African Five-a-Side Podcast

Weekend Music Break 54

By
Ts'eliso Monaheng

Flex Boogie, featured on this song by producer/radio deejay The Prince, is a Pretoria-based hip-hop artist who was part of the pioneering hip-hop group Ba4za at one point. He has undergone numerous changes since then – from an overhaul of his image, to recently appearing in a liquor advert on national television (Flex Boogie’s real name is Hakeem, and he’s Muslim). But he doesn’t rap this song. Instead, he provides fillers over sparse house beats, hollering “tsokotsa” (dance) every so often.

In the lead-up to her new album entitled “Ticket to the world”, German-Ghanaian vocalist Ayo collaborates with Congolese-French emcee Youssoupha for a bit of social commentary. “The city’s burning down/ but there’s no water” she sings before her rap/spoken word crusade. It must be pointed out that Youssoupha’s verse is very similar in structure to this song of his. (P.S.: Her facebook page is somewhat of a gem.)

“My new album is more involved. It takes you on a spiritual trip. It is about good and bad, about body and soul, and about finding the balance. It takes you out of your comfort zone and makes you feel part of the music” says vocalist Ntjam Rosie. This music is the perfect backdrop for the Southern Hemisphere’s transition into Spring.

A Professor song has become standard in any house club in South Africa. He ropes in kwaito artist Brickz for yet another club-friendly heater.

Lesotho’s Charles Alvin possesses an effortless flow which is expertly complemented by the music. The video, shot around the surrounds of Maseru by upcoming director Sehlabaka Rampeta, is not half-bad either.

Fredy Massamba was in South Africa in September last year. That is when him and Tumi (formerly of Tumi and the Volume) linked up to record this song.

Big FKN Gun enlist the help of Cuss Group co-conspirateur Ravi Govender to direct this stark look into the realities of a drug currently causing turf wars in Durban. The video features an appearance by artist Evl Jon, whose exhibition “Ward 56” opened this past week.

Johannesburg party rap comes to the fore on this club banger-assured collaboration between DJ Switch and Reason.

This Starz-produced collaboration between surefire Nigerian heavyweights follows hot on the heels of Shank’s victorious Music Video of the Year nod at the Nigeria Entertainment Awards. Expect beautifully haunting visuals courtesy of Patrick Elis.

And straight from Belgium to the world, the duo of Joy Adegoke and Wim Janssens (better known as Joy Wellboy) makes exquisite electronic funk for outstanding music connoisseurs and occasional listeners alike. We dig it!

Further Reading

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.