Flex Boogie, featured on this song by producer/radio deejay The Prince, is a Pretoria-based hip-hop artist who was part of the pioneering hip-hop group Ba4za at one point. He has undergone numerous changes since then – from an overhaul of his image, to recently appearing in a liquor advert on national television (Flex Boogie’s real name is Hakeem, and he’s Muslim). But he doesn’t rap this song. Instead, he provides fillers over sparse house beats, hollering “tsokotsa” (dance) every so often.

In the lead-up to her new album entitled “Ticket to the world”, German-Ghanaian vocalist Ayo collaborates with Congolese-French emcee Youssoupha for a bit of social commentary. “The city’s burning down/ but there’s no water” she sings before her rap/spoken word crusade. It must be pointed out that Youssoupha’s verse is very similar in structure to this song of his. (P.S.: Her facebook page is somewhat of a gem.)

“My new album is more involved. It takes you on a spiritual trip. It is about good and bad, about body and soul, and about finding the balance. It takes you out of your comfort zone and makes you feel part of the music” says vocalist Ntjam Rosie. This music is the perfect backdrop for the Southern Hemisphere’s transition into Spring.

A Professor song has become standard in any house club in South Africa. He ropes in kwaito artist Brickz for yet another club-friendly heater.

Lesotho’s Charles Alvin possesses an effortless flow which is expertly complemented by the music. The video, shot around the surrounds of Maseru by upcoming director Sehlabaka Rampeta, is not half-bad either.

Fredy Massamba was in South Africa in September last year. That is when him and Tumi (formerly of Tumi and the Volume) linked up to record this song.

Big FKN Gun enlist the help of Cuss Group co-conspirateur Ravi Govender to direct this stark look into the realities of a drug currently causing turf wars in Durban. The video features an appearance by artist Evl Jon, whose exhibition “Ward 56” opened this past week.

Johannesburg party rap comes to the fore on this club banger-assured collaboration between DJ Switch and Reason.

This Starz-produced collaboration between surefire Nigerian heavyweights follows hot on the heels of Shank’s victorious Music Video of the Year nod at the Nigeria Entertainment Awards. Expect beautifully haunting visuals courtesy of Patrick Elis.

And straight from Belgium to the world, the duo of Joy Adegoke and Wim Janssens (better known as Joy Wellboy) makes exquisite electronic funk for outstanding music connoisseurs and occasional listeners alike. We dig it!

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.