5 New Films to Watch Out For, N°28

Here’s another pick of five interesting-looking new films that have come out recently. Born This Way is a film by Shaun Kadlec and Deb Tullmann about gay activists and members of “Alternatives Cameroun,” the first LGBT organization in Cameroon — a cause made all the more urgent by the recent killing of Camfaids director and activist Eric Lembembe. You’ll also recognize lawyer (and AIAC’s “woman of the year”) Alice Nkom:

El Gusto is Safinez Bousbia’s film about an Algerian group of Jewish and Muslim musicians who were separated by history over 50 years ago and have been reunited some years ago to share once again their passion for Chaabi music. They have since gone on to record albums with Damon Albarn and Sodi:

Aya de Yopougon, the film interpretation of Marguerite Abouet’s popular graphic novel set in Abidjan, Cote d’Ivoire, has been a long time coming. The animated film draws from the first two volumes of the series she collaborated on with graphic artist Clément Oubrerie, also the co-director of the film:

Incarcerated Knowledge is a documentary by AIAC’er Dylan Valley who has followed a man, Peter, from the first day of his release from South Africa’s most notorious prison. Having foresworn his membership of the powerful ‘28s’ gang, Peter is intent to reintegrate himself back into his community through his passion for Hip-Hop:

And The New World is a story written and directed by Jaap van Heusden about a Dutch woman (Bianca Krijgsman) whose life is changed by an Ivorian refugee (Issaka Sawadogo) who is held “in transit” at the detention center for asylum seekers where she works as a cleaner. Here’s a clip:

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.