Africa Is a Country

Weekend Music Break, N°43

Africa Is a Country Podcast
African Five-a-Side Podcast

Weekend Music Break, N°43

By
Zachary Rosen

It’s been far too long since we had a music break. So without too many words, we’re going to jump right in with what’s been on our radar for the last couple weeks. In a fascinating illustration of cultural appropriation, Ugandan artist Vampino presents himself as a powerful Dracula-figure, surrounded by obedient disciples.

Unstoppable in the Angolan dance music scene, DJ Djeff festively traverses the streets with TLDreamz in “Undi Da Ki Panha”.

Always pushing the visual envelope, director Clarence Peters doesn’t disappoint in “Bigger Better Best”, the new video for Port Harcourt rapper Pucado. Peters takes us for a ride with his camera as Pucado keeps us guessing with his syncopated lyrics.

Fresh off his triple win at the South African Music Awards, Khuli Chana finds a few friends as he cruises through Joburg in the upbeat video for “Mnatebawen”, meaning “it’s nice to be you.” Joined by children, churchwomen and an unexpected mapantsula dancer, Khuli, backed by KayGizm and Fifi Cooper, urges us to “do you”.

Emboldened by a dance crew that’s got his back, Naija rapper May D revisits the colonial era in “So Many Tinz” to rescue his love interest from a cruel captor with true Nollywood flair.

Attempting to fill the twisted niche in West African music left vacant with the untimely passing of Nigerian artist Goldie Harvey, Ghanaian singer Eazzy shows that she’s starting to lose it, in the best way, with her video for “Scream”.

A new Zaki Ibrahim, hot out of the editing suite.

In “Provo E Gosto”, Angolan kuduro crew Os Lambas proves there’s nothing scarier than a partner who smells infidelity. Impressively, the fear is somehow channeled into the most insanely energetic kuduro dance moves yet seen.

Always well-produced with a consistently solid flow, Kahli Abdu tells it like it is with Kid Konnect for the track “No Love”.

Lastly, we head to the beach in Tanzania with former MTV Base VJ Vanessa Mdee. She shows us just how smooth Swahili can sound in “Closer”.

Back next week!

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.